My review of Imperfect Echoes is published in November
2016 Issue of Midwest Book Review: Reviewer’s Bookwatch!Reviewer's Bookwatch
Volume 16, Number 11
|
November 2016
|
well. She forgets to peer
under burkas, in our jails,
in the beds of the abused,
deeper, deeper into the pond...
―Howard-Johnson, Carolyn. Narcissus Revisited.
Carolyn Howard-Johnson's "Imperfect Echoes: Writing Truth and Justice with Capital Letters, lie and oppression with Small" is just perfect.
This Los Angeles award-winning poet lays out the landscape of her contemplative thoughts, feelings and reactions with such honesty and deceptive simplicity that they have the effect of offering a peek into her private journals. What puts this poetry on par with leaping tall buildings is the fact that each poem manages the feat of conveying personal and universal relevance at once.
Do not be scared off by the prospect of political rhetoric masquerading as literature; this is not one of those books. Although the book's subtitle may strike some as rather lofty, it is a quote from Czeslaw Milosz's poem, "Incantation," in his anthology, "The Captive Mind," which reflects Howard-Johnson's poetic themes. She has divided her prolific poems into a Prologue plus four sections: "Remembering What We Must"; "Nations: Tranquil Self-Destruction"; "Acceptance: Waiting for the Gift"; and "Future Stones of Distrust."
Howard-Johnson deftly blends the "Truth and Justice" observations with the "Small" moments of "lie(s)" and "oppression" as they intersperse through her poet's journey. The poems in "Remembering What We Must" address the stark realities of war and global misery, which Howard-Johnson treats with her practiced light touch that floats like the proverbial butterfly and stings like an outraged bee.
In "Belgium's War Fields," she compares the reasons for bygone wars to our present day confusion: "And now a war that takes from the mouths /and hearts of the stranded, the homeless. / How different from those who / marched with snares or flew flags / in a war when we knew / why we were there."
In the "Nations: Tranquil Self-Destruction" section, "The Story of My Missed Connection in Minneola" brings to life a brief rest stop during a road trip, which seems rather amusing at first as the wife relieves her bladder and the husband declines the coffee with "Let's skip it. Coffee's / probably been stewing for days..." but hits an unexpected bump of overt bigotry when the roadside store owner confides in them (in between the screeches of his pet parrot) that he left Los Angeles to get away from the "ragheads."
In the "Acceptance: Waiting for the Gift" section, "Relatives" takes on the ways in which "Small" minds can make a family dinner feel like a stint in Purgatory: "Perhaps you won't invite me back / if I mention that infamous / uncle. You know, the one who killed / three of his wives / but is candid / about who he is, / how many he's killed, / the methods he used / and never gets invited to dinner.
In the "Future Stones of Distrust" section, "Rosa Parks Memorialized" opens with "On the day our September losses / reached 2,000, a tribute / to Rosa..." and asks "If she were alive now.../ would her solo / be enough or do we need now a choir singing, / thousands screaming...?"
Imperfect Echoes allows readers to witness a poet's lifetime revisited in memory and with fresh wisdom. If the topics of oppression, prejudice and war seem to some "overdone," Howard-Johnson responds in her Prologue poem, "Apologies from a Magpie":
Magpies are born to sing others' songs -
stained notes, imperfect echoes -
until the world begins to know
them by heart.
Note: All proceeds from the sales will be donated to the non-profit human rights watchdog, Amnesty International.
Marlan Warren, Reviewer
http://roadmapgirlsbookbuzz.blogspot.com
Genres: Poetry Anthology/Social Justice
under burkas, in our jails,
in the beds of the abused,
deeper, deeper into the pond...
―Howard-Johnson, Carolyn. Narcissus Revisited.
Carolyn Howard-Johnson's "Imperfect Echoes: Writing Truth and Justice with Capital Letters, lie and oppression with Small" is just perfect.
This Los Angeles award-winning poet lays out the landscape of her contemplative thoughts, feelings and reactions with such honesty and deceptive simplicity that they have the effect of offering a peek into her private journals. What puts this poetry on par with leaping tall buildings is the fact that each poem manages the feat of conveying personal and universal relevance at once.
Do not be scared off by the prospect of political rhetoric masquerading as literature; this is not one of those books. Although the book's subtitle may strike some as rather lofty, it is a quote from Czeslaw Milosz's poem, "Incantation," in his anthology, "The Captive Mind," which reflects Howard-Johnson's poetic themes. She has divided her prolific poems into a Prologue plus four sections: "Remembering What We Must"; "Nations: Tranquil Self-Destruction"; "Acceptance: Waiting for the Gift"; and "Future Stones of Distrust."
Howard-Johnson deftly blends the "Truth and Justice" observations with the "Small" moments of "lie(s)" and "oppression" as they intersperse through her poet's journey. The poems in "Remembering What We Must" address the stark realities of war and global misery, which Howard-Johnson treats with her practiced light touch that floats like the proverbial butterfly and stings like an outraged bee.
In "Belgium's War Fields," she compares the reasons for bygone wars to our present day confusion: "And now a war that takes from the mouths /and hearts of the stranded, the homeless. / How different from those who / marched with snares or flew flags / in a war when we knew / why we were there."
In the "Nations: Tranquil Self-Destruction" section, "The Story of My Missed Connection in Minneola" brings to life a brief rest stop during a road trip, which seems rather amusing at first as the wife relieves her bladder and the husband declines the coffee with "Let's skip it. Coffee's / probably been stewing for days..." but hits an unexpected bump of overt bigotry when the roadside store owner confides in them (in between the screeches of his pet parrot) that he left Los Angeles to get away from the "ragheads."
In the "Acceptance: Waiting for the Gift" section, "Relatives" takes on the ways in which "Small" minds can make a family dinner feel like a stint in Purgatory: "Perhaps you won't invite me back / if I mention that infamous / uncle. You know, the one who killed / three of his wives / but is candid / about who he is, / how many he's killed, / the methods he used / and never gets invited to dinner.
In the "Future Stones of Distrust" section, "Rosa Parks Memorialized" opens with "On the day our September losses / reached 2,000, a tribute / to Rosa..." and asks "If she were alive now.../ would her solo / be enough or do we need now a choir singing, / thousands screaming...?"
Imperfect Echoes allows readers to witness a poet's lifetime revisited in memory and with fresh wisdom. If the topics of oppression, prejudice and war seem to some "overdone," Howard-Johnson responds in her Prologue poem, "Apologies from a Magpie":
Magpies are born to sing others' songs -
stained notes, imperfect echoes -
until the world begins to know
them by heart.
Note: All proceeds from the sales will be donated to the non-profit human rights watchdog, Amnesty International.
Title:
Imperfect Echoes: Writing Truth and Justice with Capital Letters, lie and oppression with Small
Author: Carolyn Howard-Johnson
HowToDoItFrugally Publishing
9781515232490, $9.95 Paperback, $2.99 Kindle, 148 pages
Amazon: https://www.amazon.com/Imperfect-Echoes-Writing-Justice-oppression/dp/1515232492Imperfect Echoes: Writing Truth and Justice with Capital Letters, lie and oppression with Small
Author: Carolyn Howard-Johnson
HowToDoItFrugally Publishing
9781515232490, $9.95 Paperback, $2.99 Kindle, 148 pages
Marlan Warren, Reviewer
http://roadmapgirlsbookbuzz.blogspot.com
Genres: Poetry Anthology/Social Justice
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