“How is it possible that one minute
I’m a wife
and the next I’m a discard?”
—Changing Spaces, Nancy King
MY MIDWEST BOOK REVIEW
Not since Marilyn French's 70s novel, THE WOMEN'S ROOM, has there been such a groundbreaking feminist novel. Nancy King tackles 180-degree life flips, divorce, women’s friendship and the healing power of New Mexico in her novel CHANGING SPACES. Just as in THE WOMEN'S ROOM, the central character (Laura) gets an "anvil" dropped on her head when her husband suddenly wants a divorce after a longtime marriage in which Laura has been deeply in love. That King has the couple coupling a few hours before this shocking news is testimony to how skillfully she lets readers know (a) older women can still have sex with their husbands and enjoy it and (b) men are dogs.
Not since Marilyn French's 70s novel, THE WOMEN'S ROOM, has there been such a groundbreaking feminist novel. Nancy King tackles 180-degree life flips, divorce, women’s friendship and the healing power of New Mexico in her novel CHANGING SPACES. Just as in THE WOMEN'S ROOM, the central character (Laura) gets an "anvil" dropped on her head when her husband suddenly wants a divorce after a longtime marriage in which Laura has been deeply in love. That King has the couple coupling a few hours before this shocking news is testimony to how skillfully she lets readers know (a) older women can still have sex with their husbands and enjoy it and (b) men are dogs.
Okay, maybe not that last one.
In CHANGING SPACES, men are not so much "dogs" as
they are "dogged" in their pursuits. Laura's husband has doggedly
pursued a younger woman, thus resulting in his asking for the divorce. And
after Laura disappears off the face of Oberlin, Ohio where they have lived
their comfortable lives, The Cad regrets his error and tries desperately to
learn where she is.
Where Laura "is" determines the trajectory of this
story and beats like a heart liberated from its rib cage. CHANGING SPACES is
about lost and found identity--specifically the identity of married women who
identify so much as wives (even if they have careers such as Laura does) that
they eventually lose sight of what they really want until they get the rude "stick
in the eye" of their spouse announcing divorce plans.


